A partially successful meld of history and fantasy, Amazon’s Britannia seeks its audience through a “Game of Thrones lite” approach, with one eye on paganism and the other on Nietzsche.
In a culture that harbors the Harvey Weinsteins and Kevin Spaceys of the world, sexual assault has gained an increased awareness as of late. Too few stories, however, have highlighted not just the evil of rape, but the social values that contribute to its prevalence. Broadchurch is the exception.
Just as the Academy, the Screen Actor’s Guild, the Golden Globes, and every bloke with a film blog has released their top tens, we figured it was time we released ours as well.
As authentic and human as it is funny, The Big Sick makes a strong case for one of the best films of the year.
In just one short week, director Rian Johnson has taken his new Star Wars film from one of the most highly anticipated films in the saga to one of the most divisive. In so doing, he has created a bold and original take on the franchise, one that sees a return to the original film’s roots in some important thematic ways.
If you were hoping for something new from the newest album by the Seattle-bred Foo Fighters, well, this isn’t quite your album. Concrete and Gold isn’t exactly bad, and it even has its better moments, but it brings nothing new to the table, nor does have any discernible thematic focus.
Zack Snyder’s follow-up to 2016’s Batman v Superman: Dawn of Justice has none of its predecessor’s thematic ambition and theological inclinations. The crowd-pleaser we get instead is consistently entertaining, even if lacking in a central, grounding theme.