Thank goodness for Edgar Wright. After penning one of the more interesting and enjoyable MCU films (Ant-Man), Wright is back from his four year directorial hiatus to give us Baby Driver- a high octane satire on heist films with a killer soundtrack.
Upon sitting down at an attempt to enjoy the sequel to a prequel of a beloved classic, my popcorn and I were ready to be whisked away with (at the very least) some form of entertainment. As the horrors unfolded both on the screen and script, I found myself once again wrestling with this question: Is it worth it?
When time is literally money, heroes arise from the most unlikely place.
Stanley Kubrick and Christianity are hardly synonymous. Why would I choose one of his films for my first review? The answer is within the film itself.