Hearts can officially break for computerized protagonists as we cheer for the triumphant conclusion that is War for the Planet of the Apes.
Thank goodness for Edgar Wright. After penning one of the more interesting and enjoyable MCU films (Ant-Man), Wright is back from his four year directorial hiatus to give us Baby Driver- a high octane satire on heist films with a killer soundtrack.
In an age dominated by antiheroes, Spider-Man: Homecoming shines bright, with its colorful optimism and truly heroic sensibilities.
Despite having too many buttcheek jokes, Despicable Me 3 comes out with far more positives than negatives, focusing on the realities of parenthood and family.
Believe the hype: Wonder Woman is a terrific film. It’s a moving and engaging story, focused on character, compassion, and courage. And in true DC fashion, it incorporates mythology in ways that connect to theology, with some pretty pleasing results.
Upon sitting down at an attempt to enjoy the sequel to a prequel of a beloved classic, my popcorn and I were ready to be whisked away with (at the very least) some form of entertainment. As the horrors unfolded both on the screen and script, I found myself once again wrestling with this question: Is it worth it?